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Project Summary

Difficulty  6  –  8 
Time required Long (a couple of weeks) to Very Long (several weeks to months)
Prerequisites Informed consent must be obtained from every participant in this experiment (parental consent must be granted for minors). In addition, the experimental design (including consent forms) must be approved by the fair's scientific review committee (SRC).
Material Availability Readily available
Cost Very Low (under $20)
Safety No issues

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Abstract

Physical activity is needed for maintaining normal bone strength and mass. Can physical stress on finger bones during development lead to an increase in finger length? Check out this project to see how violin players are an example of a "natural experiment" that you can use to answer this question.

Objective

The goal of this project is to determine if stress exerted on fingers when playing a stringed musical instrument can result in an increase in length of the finger bones.

Introduction

You know from experience that animal bones are hard, strong, and durable. If you've handled bones from a dead animal, you've seen for yourself the hard matrix of hyrdoxyapatite (crystalized calcium salts) and secreted proteins that living bone cells leave behind. It may be hard to imagine, but in living bone, cells called osteoblasts and osteoclasts are continually building and breaking down bone tissue, in a constant process of remodelling. In juvenile animals, the bones are growing to support the growth of the animal, but in adults, the constant breakdown and rebuilding process still continues.

Bone development can be influenced by nutrition, exercise, hormones, and exposure to sunlight. Sunlight is important for the production of vitamin D, which is needed for calcium absorption.

"In long bones, the growth and elongation (lengthening) continue from birth through adolescence. Elongation is achieved by the activity of two cartilage plates, called epiphyseal plates, located between the shaft (the diaphysis) and the heads (epiphyses) of the bones (Figure 1). These plates expand, forming new cells, and increasing the length of the shaft. In this manner, the length of the shaft increases at both ends, and each head of the bone moves progressively apart. As growth proceeds, the thickness of the epiphyseal plates gradually decreases and this bone lengthening process ends. In humans, different bones stop lengthening at different ages, but ossification is fully complete by about age 25. During this lengthening period, the stresses of physical activity result in the strengthening of bone tissue." (Lujan and White, date unknown)

diagram illustrating bone development
Figure 1. Long bones continue to grow and elongate (lengthen) through adolescence. This process is called ossification. (Lujan and White, date unknown)

"In contrast to the lengthening of bone, the thickness and strength of bone must continually be maintained by the body. That is, old bone must be replaced by new bone all the time. This is accomplished as bone is continually deposited by osteoblasts, while at the same time, it is continually being reabsorbed (broken down and digested by the body) by osteoclasts. Osteoblasts are found on the outer surfaces of the bones and in the bone cavities. A small amount of osteoblastic activity occurs continually in all living bones (on about 4% of all surfaces at any given time) so that at least some new bone is being formed constantly. Normally, in fact, except in growing bones, the rates of bone deposition and absorption are equal to each other so that the total mass of bone remains constant." (Lujan and White, date unknown)

This project takes advantage of a "natural experiment" on stress and bone development. Violinists (and other string players) exert stress on the fingers of their left hands as they finger the strings to produce different notes. Does this increased stress result in increased bone growth in the fingers of the left hand?

Terms, Concepts and Questions to Start Background Research

To do this project, you should do research that enables you to understand the following terms and concepts:

Questions

Bibliography

Materials and Equipment

To do this experiment you will need the following materials and equipment:

Experimental Procedure

Note: There are special considerations when designing an experiment involving human subjects. ISEF-affiliated fairs often require an Informed Consent Form for every participant who is questioned or observed. In all cases, the experimental design must be approved by the fair's scientific review committee (SRC) prior to the commencement of experiments or surveys. Please refer to the ISEF rules for additional important requirements for studies involving human subjects: http://www.sciserv.org/isef/document/.

  1. You will need to write a short survey to determine the playing history of each of your volunteers, in order to assign them to the "violinist" or "non-violinist" group. Your survey should gather the following information:
    1. musical instrument(s) played,
    2. hours/week practicing,
    3. age at which the instrument was taken up,
    4. age now,
    5. handedness (for playing),
    6. gender.
    7. You should also inquire about non-musical activities that might regularly stress the fingers: e.g., typing on keyboard, or dribbling a basketball.
    8. You might consider including a question on practice history (hours/week for each year of playing).
  2. Measure and record the length of the fingers (index, middle, ring, and pinky) for both hands.
  3. Calculate the difference in length between fingers of left hand and fingers of right hand for each individual. If you know how to use a spreadsheet program, it will be very helpful for the analysis. If you don't know how, this would be a good opportunity to learn about spreadsheets.

    left index right index
    index
    difference
    (left − right)
    left middle right middle
    middle
    difference
    (left − right)
    etc.
                 

  4. For each pair of fingers, calculate the average difference in length and the standard deviation for the violinist group and for the control group. Do violinists differ from the control group?
  5. Does playing a violin put more stress on the fingers than playing, for example, a clarinet? Can you think of a way to measure the force exerted by the fingers in each case?
  6. More advanced students should use a Student's t-test to determine if any differences found between the experimental and control groups are statistically significant.

Variations

Credits

Andrew Olson, Ph.D., Science Buddies

Sources

This project is based on:


Last edit date: 2006-09-06 22:00:00


Career Focus

If you like this project, you might enjoy exploring careers in Music.

Sound Engineering Technician
Any time you hear music at a concert, a live speech, the police sirens in a TV show, or the six o'clock news you're hearing the work of a sound engineering technician. Sound engineering technicians operate machines and equipment to record, synchronize, mix, or reproduce music, voices, or sound effects in recording studios, sporting arenas, theater productions, or movie and video productions.
 



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